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Research Article

Impact of Different Genre of Tamil Cine Music Using Combined Disjoined Block Fuzzy Cognitive Maps (CDBFCMS)


Author(s): A. Victor Devadoss , S. Aseervatham
Affiliation: Department of Mathematics,Loyola college,Chennai
Year of Publication: 2014
Source: International Journal of Computing Algorithm
     
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Citation: A. Victor Devadoss, S. Aseervatham. "Impact of Different Genre of Tamil Cine Music Using Combined Disjoined Block Fuzzy Cognitive Maps (CDBFCMS)." International Journal of Computing Algorithm 3.1 (2014): 80-83.

Abstract:
The subjective nature of listening knowledge of human to different genre of music perception suggests that fuzzy logic is a more appropriate tool for an unsupervised data. Because listening mood, environment, personality, age, cultural background etc, can decide that what kind of music we hear mostly. This paper is organized as follows. In Section1, we introduce the general ideas in music and its different genres.


Keywords Music, Fuzzy Cognitive Maps, Combined Disjoined Block FCM.


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@article{Imp1459388, author = {A. Victor Devadoss,S. Aseervatham}, title = {Impact of Different Genre of Tamil Cine Music Using Combined Disjoined Block Fuzzy Cognitive Maps (CDBFCMS)}, journal={International Journal of Computing Algorithm}, volume={3}, issue={1}, issn = {2278-2397}, year = {2014}, publisher = {Scholarly Citation Index Analytics-SCIA}

  • [1] A.Victor Devadoss, S.M.A Shahul Hameed, “A Study of the Attitudes of Road user using Combined Fuzzy Cognitive Maps(CFCMs), International Journal of Computer Applications, Volume 59, No. 13, December 2012
  • [2] A. Victor Devadoss, S. Aseervatham, “A Comparative Study Between Properties of Carnatic Ragas and Emotions of Devotional Songs using Bidirectional Associative Memories (BAM)”, International Journal of Engineering and Research Technology (IJERT), Vol. 2 Issue 6, ISSN: 2278-0181, June – 2013.
  • [3] Bart Kosco, “Neural Networks and Fuzzy System: A Dynamical System Approach to Machine Intelligence”, Prentice Hall of India,1997.
  • [4] Bart Kosco, “Fuzzy Cognitive Maps”, International Journal of ManMachine Studies”, January, 1988, pp.62-75.
  • [5] Laura-Lee Balkwill and William Forde Thompson, “A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues”, Music Perception, Fall, 1999, Vol.17, No.1, pp.43-64.
  • [6] Mahadevan Ramesh, “A Gentle Introduction to South Indian Classical (Karnatic) Music”, Indian Melody, webmaster@indianmelody.com.
  • [7] MrigankaSekhar Chakraborty, “Indian Musicology - Melodic Structure”, Firma KLM Private Limited, 1992.
  • [8] Raymond Elliott, “Fundamentals of music”, Prentice Hall.
  • [9] W. B. VasanthaKandasamy and FlorentinSmarandacheMay, “Analysis of Social Aspects of Migrant Labourers Living with HIV /AIDS using Fuzzy theory and Neutrosophic Cognitive Maps with Special Reference to Rural Tamilnadu in India”, Xiquan, Phoenix, 2004, USA.
  • [10] W.B. VasanthaKandasamy, FlorentinSmarandache and K.Ilanthenral, “Elementary Fuzzy Matrix Theory and Fuzzy Models for Social Scientists”, Automaton, Los Angeles, 2007, USA.
  • [11] Wendy Suiter, “Toward Algorithmic Composition of Expression in Music using Fuzzy Logic”, Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010)”, Australia,2010,p.319- 322.

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